The developing world converges

jeepneyJeep­neys are the main way peo­ple get around in the Philip­pines. In East Africa, peo­ple ride in Mata­tus. I liked them so much I fea­tured them a fair amount when I lived in Nairobi.

So I came across this photo of a Jeep­ney in a mis­sion­ary mag­a­zine* — and I was struck by how the art­work was so sim­i­lar to what could be found on Mata­tus in down­town Nairobi! It’s just amaz­ing that the influ­ences that shape how artists do their craft are sim­i­lar, even 6,000 miles (9,500 km) apart!

Not only does matatu art reflect the lat­est trends in soci­ety, it always shows the cutting-edge of young artists’ cre­ativ­ity. (How­ever, some matatu artists are bet­ter than oth­ers!) Often the sev­eral ran­dom say­ings on one matatu pro­vide a good laugh. One of my fan­tasies while liv­ing in Nairobi was to hire a pho­tog­ra­pher to take a mil­lion pho­tos of mata­tus — and then I would cre­ate a cof­fee table book out of the best pix. Any angel investors out there will­ing to chip in?

* (Sorry, there was no credit given to the pho­tog­ra­pher, or I would have passed that on.)

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Comments

  1. Linda Helton says:

    This bus reminds me of the old painted vans you used to see in the 70s — I guess there is some kind of uni­ver­sal painted-vehicle style.

  2. Tim says:

    The bright col­ors remind me of the chivas of Colom­bia and Ecuador, big boxy buses built on truck chas­ses. The designs are dif­fer­ent, but the bright effect is sim­i­lar. If you Bing chiva images, you’ll see what I mean.

    • Paul says:

      That’s great Tim!

      I love it — Kenya, the Philip­pines, Colom­bia — and here in the US, we have such bor­ing pub­lic trans­port vehicles.

      There’s some­thing to be said for not being so “neat”.

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